Barrique cellar frescoes: THE TEMPLE OF BACCHUS
The introductory and more representative area of the Barrique cellar, which has been chosen as setting of guided wine tastings, is characterized by a thematic decoration which concerns both the first three spans with cross vaults and the barrel vaults at the sides; the decoration further extends to the outside and bearing walls thus contributing in providing a greater scenographic effect. The Zeni Family suggested the development of the theme “Temple of Bacchus” being it the most directly relevant one to the enological activity. The aim was that of recreating an atmosphere that reminded of ancient times. The space has therefore been ennobled and enriched by means of painted architectures which could give the optical impression of modulations and fake frames.
The barrel vaults are adorned with lacunar decorations, each of which containing a gold rosette. The wall on the west side of the cellar is dominated by a representation of Bacchus, the Roman god of wine, inspired by a Michelangelo’s sculpture and inserted into a painted niche framed by an architectonic structure that reminds of an altar. The wall set at a higher level at the opposite side of the room is dominated by a representation of the Zeni family tree, showing the five generations of the family that have been dedicated to winemaking, from its founder Bartolomeo to the three Zeni brothers Fausto, Elena and Federica, who run the family firm at present time. Its realisation was inspired by a decorative painting by Leonardo displayed at Castello Sfozesco in Milan.
In the main hall, along the wall on the north side of the cellar, are placed some niches displaying the Winery’s products which have also been contextualized within a painted frame that adorns the family blazon. Both products and blazon are embellished with a gold-leaf border. On both sides of the niches, the two walls are dominated by two figurative portrayals developing the theme of the “Three Graces”: in Roman mythology these female figures represented all the beautiful, charming and joyful things found in nature and in life in general. These goddesses of grace, beauty and whatever made life pleasant and joyful were named Aglaea, Euphosyne and Thalia and symbolized, according to Alberti, Castitas, Pulchritudo (Beauty) and Amor. Other painted architectonic features, from the arches to the fluted columns, to other elements elsewhere, all contribute in making this place fascinating and elegant, recalling the atmosphere of an ancient time: the time of Bacchus.
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